<div class="section1"><div class="Normal"><script language="javascript">doweshowbellyad=0; </script><br />MUMBAI: There is no danger whatsoever that N. Chandra''s film <span style="" font-style:="" italic="">Indira-A Tryst with Destiny</span> on Mrs Gandhi can be used as fodder in the forthcoming elections. <br /></div> <div align="left" style="position:relative; left: -2"><table cellspacing="0" cellpadding="2" align="left" border="1" width="33.3%"> <colgroup> <col width="100.0%" /> </colgroup> <tr valign="top"> <td width="100.0%" colspan="1" rowspan="1" style="" valign:="" top="" background-color:="" f3f3f3=""> <div class="Normal"><img src="/photo/526660.cms" alt="/photo/526660.cms" border="0" /></div> </td> </tr> <tr valign="top"> <td width="100.0%" colspan="1" rowspan="1" style="" valign:="" top="" background-color:="" f3f3f3=""> <div class="Normal"><span style="" font-size:="">A scene from Sudhir Mishra''s </span><span style="" font-size:="" font-style:="" italic="">Hazaron Khwahishen Aisi</span><span style="" font-size:="">.</span></div> </td> </tr> </table></div> <div class="Normal"><span style="" font-size:="" font-weight:="" bold="">The film is still at the script stage, hasn''t even scraped together a budget, and hopes to roll only by mid-2004.</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">Nonetheless, it is worth examining Indian political films and the relationship between our politicians and film stars.
</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">We have had Gulzar''s marvellous </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Aandhi</span><span style="" font-size:="" font-weight:="" bold=""> (the public insisted it was about Mrs G, he usually denied it) and his unflinching </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Hu Tu Tu</span><span style="" font-size:="" font-weight:="" bold=""> starring Tabu, Mani Ratnam''s acclaimed </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Iruvar</span><span style="" font-size:="" font-weight:="" bold=""> (The Duo, echoing the friendship of political rivals M G Ramachandran and Karunanidhi) and Kamal Hasan''s ambiguous </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Hey Ram</span><span style="" font-size:="" font-weight:="" bold="">!</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">There are the scarcely-stirring biopics, Shyam Benegal''s </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">The Making of the Mahatma</span><span style="" font-size:="" font-weight:="" bold=""> and Jabbar Patel''s </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Dr Babasaheb Ambedkar</span><span style="" font-size:="" font-weight:="" bold="">. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">And although Bengali and Malayalam cinema —including the work of Mrinal Sen and Adoor Gopalakrishnan— has regularly engaged with political issues, mainstream cinema has not offered us much else on contemporary politics.</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">One of the finest recent films dealing with political ideology is Sudhir Mishra''s </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Hazaron Khwahishen Aisi</span><span style="" font-size:="" font-weight:="" bold=""> (A Thousand Dreams Such as These), that was recently showcased at the Berlin film festival. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">It explores a love triangle set in the 1960s and ''70s that covers the Indira Gandhi years and their engagement with socialism, capitalism and subsequent disillusionment. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">"At a time our love for our country is confused with jingoistic patriotism, I wanted to deal with a generation that was unhappy with the nation they inherited from their parents," says Mishra. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">"My film is political, but it is more of an analysis rather than a manifesto,which is what some of Mrinal Sen''s work was." Mishra is convinced the film, produced by Pritish Nandy Communications, will find its audience. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">"The audience that goes to see </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Jhankaar Beats</span><span style="" font-size:="" font-weight:="" bold=""> or </span><span style="" font-size:="" font-weight:="" bold="" font-style:="" italic="">Chameli</span><span style="" font-size:="" font-weight:="" bold=""> is in the mood for something different. Besides, this is a love story. In the ''90s, it was fashionable to be apolitical. But when you hear that someone like Bhupen Hazarika has joined the BJP, the younger generation is bound to react to the fall from grace of such people. The youngsters'' cynicism is certainly being provoked into political consciousness."</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">It is curious how the strategy of political leaders like MGR, Jayalalithaa and NTR, who effortlessly translated their screen charisma into political capital in Tamil Nadu and Andhra Pradesh has not been duplicated in north India. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">Although Hema Malini, Vinod Khanna, Amitabh Bachchan et al campaign intermittently for political parties, none of them have genuine political clout. </span><br /><br /><span style="" font-size:="" font-weight:="" bold="">Says N Chandra, "Southern film stars like Rajnikant are known to sponsor mass weddings of the poor. They are seen as genuine leaders and they fight injustice on the screen as well. Their private and political lives are closely connected."</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">Meanwhile, Chandra''s experience should underline the minefield that political films are. "Uttam Singh Pawar, the film''s producer, is a former Congress MP from Aurangabad, hoping to get a Congress ticket again. He wanted to make the film on Mrs Gandhi ever since the time he was (earlier) in the BJP," he points out.</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">Would it not compromise a director''s integrity, taking Congress money to make a film on a party leader?</span><br /><br /><span style="" font-size:="" font-weight:="" bold="">"No, it is not a propaganda film," Chandra insists. "Today there are no ''isms'' left and no party has any moral ground. My film is about a leader who was decisive, a quality we lack today. We should be ashamed—we cannot even decide if we should send our children to St Lawrence or Bharatiya Vidya Bhavan."</span></div> </div>